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Tom
QUOTE
In This Issue
> Grading Preparation
> The Power Of Self-Learning
> myGKR Training Tip Sample




Many students are very comfortable with their ability to perform their basics and belt grade kata. You can see the confidence on their face as they perform their techniques well. When you mention that you are putting them forward for grading however, you can see the look of fear in their face as they worry, “I’m not ready, my stances are too weak, I’m not as good as Joe Bloggs” etc, the list just goes on.

My advice to them is that a grading class is a lot like any other class. You do not do anything different to the techniques taught, although in a grading class, you are being assessed! The pressure they put on themselves usually comes from nerves. These can be a variety of reasons for example:


Fear of failure.
Being in a different dojo than the one we are used to training in.
Seeing the number of different instructors who are checking them.

As grading is a significant part of karate training, it is crucial to focus on the task at hand. The best way to combat nerves is for you to improve communication between you and your instructor. Find out where you are at with your training and try to gain an understanding of what areas you require work on.

With a time frame in mind, try to attend extra classes. Practice makes perfect and you can obtain further feedback from another instructor.

While at class, make an extra effort to push yourself. In our usual classes we tend to pace ourselves, whereas at a grading we give everything 100% because we want to make sure we perform each technique the best that we possibly can. Pushing yourself in the extra classes will help you build your stamina and cope with the additional physical demands of a grading class. This also means that you won’t be completely exhausted by the end of the session.

Preparation is also the key. After all the training, you don’t want to let yourself down on the day. Eat a good breakfast to fuel your body up and ensure you’re hydrated, by drinking plenty of water beforehand.

Warm up beforehand, as it is essential you don’t injure yourself during the session. This also helps to focus the mind, helps you feel more confident and put nerves at ease.

Try to relax. Your Sensei would not put you forward, unless they fully believed that you were capable. If they have faith in you, then you too should accept this as true.

Most importantly of all, enjoy the experience! With everything going on it’s easy to forget the goal at the end. A new belt to reward all your hard work and effort. I hope that students will take some encouragement from this, and the next time I see you at grading, there will be smiles of anticipation in place of the usual worried looks.







How would you like to multiply your progress in the dojo and improve your technique beyond your wildest dreams?

Impossible you say? Well it’s easier than you may think! To more speedily achieve your maximum potential, you need to develop your ability for self-learning. That’s right, there it is, it sounds simple doesn’t it? The teacher does the teaching, however it’s up to the student to do the learning.

It all comes down to humility, attitude and disciple all great attributes of a karate-ka.

A great karate-ka adopts the attitude that they don’t know all there is to know regardless of rank or years of experience. So, if your Sensei makes a correction or explains a technique, then it’s up to you the student to think, “I must check and make the necessary adjustments to my technique”.

Sound simple? Well it is.

Your approach to this concept will determine the benefit you get from the knowledge being shared with you.

You can either assume that you are already doing the technique correctly and just wait for the class to move on, gaining little if anything from the exchange of information. Or, you can be humble enough in your attitude towards your karate development and assume that your Sensei may be directing their comments/instruction towards you and check and correct your technique.

Even if you’re already doing a good job, this will raise your awareness of the correct technique and thereby enable you to improve on what you’re already doing well.

Some time ago an Instructor told me a story that has stuck with me. I don’t recall who told it the first time so I can’t give credit but I will pass it along to you anyway.

Imagine if the journey from white belt to black consisted of 100 lessons to be learnt (if only), but just imagine for a moment. You make a mistake, your instructor corrects you, you fix the mistake, lesson learnt. You can now move on to the next lesson, or you can make the same mistake 10 times and be corrected 10 times before learning the lesson and moving onto the next.
100 mistakes and lessons to be learnt to arrive at your destination or 1000 mistakes, the choice is up to you.

So, next time you’re holding a stance or technique while your Sensei explains some detail, ask yourself, “Am I doing the best I can right now?”

“It’s what we learn from making a mistake that makes us stronger, better, faster.”






The practice of karate is often described as an ongoing journey towards perfecting technique. This self-mastery mindset exists due to the fact that often, the slightest adjustments and modification in technique towards correct form can lead to an enormous improvement in overall ability.

Over the coming months we will be highlighting a number of training topics,
and discussing how making tiny adjustments in technique can lead to measurable progress in your karate.

What You Don't Use, You Lose

Human nature is a funny thing. Why is it that we always want to do the things we are good at, and try to avoid those things we feel inadequate in? Perhaps the answer just revealed itself, after all, who likes feeling inadequate?

Lets bring that topic over to karate now, and something we all aspire to – our next grading.

A common error people often make is they see each belt grade having one kata. For example, if I asked you what kata would you have to do to get your red belt? Many would incorrectly answer, Bassai-dai. ‘Incorrect’ you ask? Yes, the kata you have to do for red belt is first, second, Saifa AND Bassai-dai.

“Ahhh, it was a trick question” I hear you ask? “Because we already know first, second and Saifa, so that was obvious” you continue. No it was not a trick question.

This is where people can come undone in their journey towards black belt and beyond. They see kata like ticking boxes, “Yes, I have learnt that kata and passed grading with it – TICK”.

Because they see kata this way, they focus all of their energies on getting the new kata down pat and neglect working on their earlier kata. GRAVE MISTAKE!

With every grading, not only are you expected to perform your latest kata adequately, you are expected to show improvement on your earlier kata. For example, a person attempting Red belt is expected to have a much tighter and technically clean Saifa than the person who is attempting Green belt.

This is where the saying “What you don’t use, you lose” comes in.

If you have a fairly tight Saifa and succeed in achieving your blue belt, but then neglect Saifa focusing all your time on Bassai-dai, your Saifa is bound to start going backwards. Think about it, if you stop practicing the piano, will you lose fluency? Yes! If you stop playing soccer will your accuracy for hitting the top corner of the net drop? Yes!

So ask yourself, have you been neglecting any of your earlier kata, by practicing it much less or mentally switching of when you practice? If the answer is “Yes”, then its time to change your focus. Our goal is not to tick boxes on the way up, it is to continually grow and develop in every kata – that is how we become a top black belt.


Any comments or thoughts?
Neil
QUOTE (WombatOneSix @ Nov 2 2007, 07:28 AM) *
QUOTE
In This Issue
> Grading Preparation
> The Power Of Self-Learning
> myGKR Training Tip Sample

A common error people often make is they see each belt grade having one kata. For example, if I asked you what kata So ask yourself, have you been neglecting any of your earlier kata, by practicing it much less or mentally switching of when you practice? If the answer is “Yes”, then its time to change your focus. Our goal is not to tick boxes on the way up, it is to continually grow and develop in every kata – that is how we become a top black belt.


Any comments or thoughts?


A common error many people make is in taking kata purely as a solo performance.
IMHO kata is a mnemonic, merely a means of remembering techniques that are available for use in situations.
The fundamentals of kata are the potential ohyo (application) of the techniques, which I feel are far more important than merely remembering the sequence of block kick punch, as the great majority of karate styles and karateka actually do.

I firmly believe kata needs to be taught not merely as a dance to achieve ones advancement in hte grade system, but more importantly as practical and varied combat effective techniques. You cannot really learn these from solo performance.

However, there are other elements to kata as a specific, i.e., competition kata: the precise solo performance of techniques when compared to the same regulated performance by other competitors.

WRT your comment on 'switching off' when performing earlier kata, personally, I do try to 'switch off'. I try to achieve a state of mushin, after all, I have performed the kata many times, I should not have to think of the next move of hte kata any more than I should have to remember which foot to move next when I am walking. I'm generally concentrating on what I am doing with hte technique, and sometimes what options are available that follow the technique last performed. That often detracts from the 'pure' solo performance, as there are many different options. Perhaps this is what you mean by changing focus?

KGR
Tom
Indeed.

You can look at kata in a variety of different ways. It`d really need Mick or MikeF to expound on this properly. I think what the GKR newsletter means is to constantly improve the "quality" of your kata - as regards to its performance - rather than constantly exploring the applications contained within. In other words, starting with the most basic and moving to more complex applications i.e. wrist locks, throws etc

Looking at competition kata.... I agree it would be very hard to judge an entrants kata as regards to his oppenents, but would I be right in saying that it would be more beneficial to judge, not on what the kata looks like, but what applications can be found within? I`m thinking that this obviously wouldnt be suitable for say 6th kyu and below, but I`d like to see this introduced for higher grades.
Sionnagh
The performance aspect of my kata is probably shocking now compared to what it was. From the point of view expressed in the post. On the other hand I've been told that the way I do it the techniques and sequences "flow" from one to the next and that you can see where it's soft and where there's power.

I think that comes from practicing drills and applications which match different parts of kata more than practicing the patterns. For example, the other week we spent two nights working through Saifa. The pattern was done about six times in total, the rest of the training was exploring applications and so forth. And just a few for each sequence.

I probably should spend more time on patterns but instead tend to spend the limited amount of time we have on using the basic techniques against an attacker, with varying levels of compliance on the attacker's part depending on the skill of the defender.

I suppose much depends on your focus, whether it's on kata performance or competent and confident use of techniques. Not that the two are mutually exclusive though you wouldn't necessarily see that to be the case with some instructors I've come across.

coffeepaper.gif
Mick
mike flanagan
QUOTE (WombatOneSix @ Dec 9 2007, 08:39 AM) *
You can look at kata in a variety of different ways. It`d really need Mick or MikeF to expound on this properly.


I can only give some insights into some of the stages I've passed through...

Initially of course kata is just a physical exercise, a string of kihon (basics) put together in some fancy ways. For many of course, that's as far as it ever goes.

After that, you may start to look at applications. I figure most here know that I hold most standard kata applications in contempt. But there are many different ways to look at how kata movements can be applied. I've been through a good number of these myself. We can have striking, grappling, throwing, choking. Some people feel they see weapons techniques in the empty hand kata. One area I'm exploring at the moment is using kata techniques in the grey area between 'hands on' and weapons work (eg. what do you if somebody grabs your weapon hand or the weapon itself). I personally weapons themselves are better understood through the medium of weapons specific kata.

Once you have some applications you can use the kata as a thesaurus or catalogue of these techniques, to remind yourself of the techniques you know. You can reverse that and use the kata as a visualisation tool - see the enemy in your mind's eye as you apply each technique. Of course, traditional karate teaches the same idea but I think it only really takes on value when you actually have some decent practical applications to visualise.

A side-note on visualisation...some applications are not very nice things to do. So 'not nice' in fact that they're things that normal human beings couldn't really bring themselves to do. Here I think visualisation during the kata can help condition us to actually do the unthinkable. Both mind and body are conditioned to carry out a movement to its conclusion (not stopping half way or at half speed like you'd have to do with a training partner). See 'On Killing' by Dave Grossman for a very revealing exploration of this subject.

After some years of looking at all sorts of different kinds of applications I came to the conclusion that you need to apply a set of rules or criteria, with which to judge the value of potential applications you come across. That way you can seek inspiration for application pretty much anywhere (different teachers, videos, your own exploration, etc) but you have a way to judge the value of any particular application. I'd recommend reading Bill Burgar's '5 Years 1 Kata' for more thoughts on this subject.

Then I thought 'what makes a particular technique an application of a particular move in a kata?' Often you find you have to slightly modify a kata movement in order to make it work in a particular application. Why is that? Surely you should be able to do the move exactly as it is in the kata? If not, how far can you vary it? Vary it a lot and it no longer resembles the kata, so presumably it isn't an application (regardless of how good the technique may be). The answer that eventually came to me - the technique should FEEL like the kata, whether it looks like it is immaterial. In other words, each kata movement embodies certain principles. A technique then is an application of a kata movement IF AND ONLY IF it employs the same principles as found in that kata movement. What principles? Primarly mechanical (ie. power generation) IMO, although I've come across some examples that are more about tactics than power generation.

Now I'm back at the beginning of the journey. I'm looking afresh at the mechanics found in kata, I'm finding ways to make kata practice more physically demanding. After all, once you've repeated a kata so many thousand times it becomes easy to walk through a kata, easy to run through it without actually getting much benefit from the process. You know the techniques, you know the applications, eventually your body will prevent you from doing it as fast and slick as you once did. But kata should not be easy, it should be a challenge. It should help you to condition both mind and body in preparation for violence. If it fails to do that, then you might as well ditch the kata and just look up techniques in a book or on a video or learn a system without kata.

And finally...always always come back to application. If you don't have applications that could actually work against a thug in a bar (rather than a rule-bound karateka) then you're just dancing around in silly pyjamas and completely deluding yourself.

And finally...no really this time...Merry Christmas everyone cold.gif

Mike
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