To Neko: I think 6th kyu is where you should be learning the Bassai Dai pattern, because you have done Saifa once already for a grading and it should be getting good enough to learn from. But please read down a little and you may see more of what I mean.
Goyle said:
QUOTE
To grade succesfully, you need to know more than just the pattern ... I still get pulled up on little things within saifa, and probally will still be doing things wrong up until Black belt.
Well it don't stop there!
Most people get a little grumpy about the "move your left hand a quarter-inch to the right" kind of correction, as opposed to "this is to the collar bone not ribs" type of adjustment.
I got grief over moves 2, 4 and 6 because RM wants my rear hand to move in more of an arc than I do it, and sometimes I don't have the wrist coming down a little past my front elbow. I find it cramps everything up and crosses my arms close-in right in front of my body - not my personal ideal I must say - and makes the front-back fist too jerky and robotic.
I don't like the way others do some parts, but that's only because of the way I interpret what I'm doing, not because it's what the club wants to see.
I was having a little discussion with the class (the one I instruct) on Sunday morning after an obscure 3-move combination (of the principle block and counter in a single movement) which I eventually convinced them could be deduced from Taikyoko Shodan. A 3rd kyu asked "why aren't we taught that way, rather than blocking a thigh-level front-kick coming from the left?"
My reply was a little half-baked and defending GKR but went along these lines:
1. GKR wants you to learn this kata and perform it in a certain way. To allow the average person off the street to get the pattern and movements in 12 lessons, "we" begin with a turn to the left into long-forward stance blocking lower block with the left hand, etc.
2. As you progress through coloured belts and do more partner work, one-step sparring and free sparring, and have the pattern down pat, GKR expects you to have a better more consistent stance, and to use hip movements and breathing patterns to illustrate / enhance performance.
3. So progression means adding the things that make both the appearance and performance of the kata better. You start out all robotic thinking only of the specific technique you are doing, move on to enhancing and focussing the techniques, then you will "see the opponent" and start to actually "perform" the kata.
4. At some point along the line you are introduced to "official GKR applications" (I was reticent to use the word "bunkai"). You may also ask what else is there? This is a true area of personal development, and a place where peers, within and outside GKR and even karate, are necessary.
I'm sure it sounded much better on Sunday morning ... ramble off ...